Here's a very, VERY first glimpse at the animation I am working on for the Twentse Welle. Consider it far from half way done and then divide that by fourteen, that's pretty much what the progress is all about right now.
Showing posts with label Editorial Design. Show all posts
Showing posts with label Editorial Design. Show all posts
Monday, May 5, 2008
Sunday, April 6, 2008
Saturday, March 22, 2008
Twentse Welle 1918-1945 II
These are the other Twentse Welle movies that Anika, Jan and I did. First of all it's our tourguide (we kinda called him Alfred, no big reason, just the first name that popped into our minds)
The second one is the dynamic moodboard we created in a couple of looong nights. We are trying to represent the farmers, the workers and the industrial bosses from 1918 until 1940 plus the phase of the second world war.
night.
The second one is the dynamic moodboard we created in a couple of looong nights. We are trying to represent the farmers, the workers and the industrial bosses from 1918 until 1940 plus the phase of the second world war.
night.
Sunday, March 9, 2008
Twentse Welle 1918-1945
Anika, Jan and I worked out an architectural solution for the Twente exhibition. To see the room build up piece by piece, you just have to click the "invisible button" in the lower right corner. But beware: Don't push that button while the movie is playing, otherwise you're gonna have to click through it frame by frame until you reach the next sequence of the video. I've made the button invisible for presentational reasons.
Thursday, February 14, 2008
twentse welle | mijn grootvader arriveert op waterloostation
Grandfather's probably dreaming the rail trip away while his little granddaughter cannot wait to meet him at waterloo station.
quick work, might still need some fine tuning. but when time's up, time's up.
quick work, might still need some fine tuning. but when time's up, time's up.
Tuesday, January 15, 2008
interdisciplinary | pencil sketches
MOTION GRAPHICS DESIGN
animation design | ferns





animation design | dialogue (old version)

GRAPHIC DESIGN & TECHNIQUES | CROSS MEDIA DESIGN
dynamic moodboard | leiber & stoller






dynamic moodboard | vivienne westwood's camouflage

ILLUSTRATION DESIGN
sketches for the nrc-assignment



VIDEO- & INTERACTIVE DESIGN
animation design | they take care of me







my lil' petting zoo
animation design | ferns





animation design | dialogue (old version)

GRAPHIC DESIGN & TECHNIQUES | CROSS MEDIA DESIGN
dynamic moodboard | leiber & stoller






dynamic moodboard | vivienne westwood's camouflage

ILLUSTRATION DESIGN
sketches for the nrc-assignment



VIDEO- & INTERACTIVE DESIGN
animation design | they take care of me







my lil' petting zoo
Wednesday, November 14, 2007
wouter | diepte
a photographic assignment in between things;
take 36 pictures of a specific location (crossroads Koolmeesstraat/Fazantstraat +-200m) in black and white.
rearrange the pictures without customizing them to one big picture about depth and colors.
not only the result is important but each and every picture for itself as well.
i'll be right back...

take 36 pictures of a specific location (crossroads Koolmeesstraat/Fazantstraat +-200m) in black and white.
rearrange the pictures without customizing them to one big picture about depth and colors.
not only the result is important but each and every picture for itself as well.
i'll be right back...
Monday, September 24, 2007
Video & Interactive Design / Graphic Design
We were supposed to create something approximatly the size of a hand that shows what specialisation we chose without just showing the tools we use or the process we take part in. A description that leaves out the essential.
I made a sketch. A sketch is the very beginning (outside one's head) of more or less every designing process.
Plus, as my old teacher in fine arts used to say: "Die Zeichnung ist die Redlichkeit in der Kunst." I do not know if he made it up or if he was just qouting, but I totally agree.
I made a sketch. A sketch is the very beginning (outside one's head) of more or less every designing process.
Plus, as my old teacher in fine arts used to say: "Die Zeichnung ist die Redlichkeit in der Kunst." I do not know if he made it up or if he was just qouting, but I totally agree.
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